Cally spooner, He wins everytime, on time, and under budget
Solo show
gb agency
October 15 to November 27, 2016
Cally Spooner
Partial view of exhibition, 2016
Photo: Aurélien Mole
Cally Spooner
Early research: method #7, 2016
Bronze cast of the artist’s ear, preface for a novel in-progress called On False Tears and Outsourcing, paper, offset print
43,5 x 29 cm
Unique piece
Photo Aurélien Mole
Cally Spooner
Installation view, He wins every time, in time and under budget
Early Research: method and #, 2016
Photo Aurélien Mole
Cally Spooner
#5, 2016
3D Print of sold Early Research: method #5
3 x 29 x 42,5 cm
Unique piece
Photo Aurélien Mole
Cally Spooner
Exhibition view He wins everytime, on time and under-budget, 2016
Sound installation
2 x Bose 5 second-generation Virtually Invisible® single cube speakers, stereo audio of dancer Magdalyn Segale performing rugby training at gb agency (Left channel) and of Ivanka Trump talking to Fortune 400 about her business venture #womenwhowork during her father’s presidential campaign (Right channel), amplifier.
Edition of 3 (+ 1 A.P.)
Photo Aurélien Mole
Cally Spooner
Hot 97, 2016
Live stream New York City radio, museum wall speakers
Photo Aurélien Mole
Cally Spooner
Exhibition view from exhibition He wins every time, in time and under budget,
Two bodies, from two groups, meet in Paris to share knowledge and build a manageable, exchangeable solo for a new foreign body, 2016
Four days conversation between Magdalyn Segale dancer from the six person group work On False Tears and Outsourcing dancers responsible for delivering self-organized efforts to resolve difficult and time-consuming issues ‘‘go the distance’’ across multiple overlapping phases using appropriated competitive strategies and appropriated intimate gestures shown at The New Museum, NY and Jasmine Attie from the six person group work On False Tears and Outsourcing dancers responsible for delivering self-organized efforts to resolve difficult and time-consuming issues “go the distance” across multiple overlapping phases using appropriated competitive strategies and appropriated intimate gestures shown at Vleeshal, Holland.
Unique piece
Photo Aurélien Mole
Cally Spooner
Exhibition view from exhibition He wins every time, in time and under budget,
Two bodies, from two groups, meet in Paris to share knowledge and build a manageable, exchangeable solo for a new foreign body, 2016
Four days conversation between Magdalyn Segale dancer from the six person group work On False Tears and Outsourcing dancers responsible for delivering self-organized efforts to resolve difficult and time-consuming issues ‘‘go the distance’’ across multiple overlapping phases using appropriated competitive strategies and appropriated intimate gestures shown at The New Museum, NY and Jasmine Attie from the six person group work On False Tears and Outsourcing dancers responsible for delivering self-organized efforts to resolve difficult and time-consuming issues “go the distance” across multiple overlapping phases using appropriated competitive strategies and appropriated intimate gestures shown at Vleeshal, Holland.
Unique piece
Photo Aurélien Mole
Cally Spooner
An exchangeable solo built from the knowledge of two non-exchangeable groups, 2016
Solo dancer based in Paris
Photo Aurélien Mole
Cally Spooner
An exchangeable solo built from the knowledge of two non-exchangeable groups, 2016
Solo dancer based in Paris
Photo Aurélien Mole
Cally Spooner
An exchangeable solo built from the knowledge of two non-exchangeable groups, 2016
Solo dancer based in Paris
Photo Aurélien Mole
Cally Spooner
An exchangeable solo built from the knowledge of two non-exchangeable groups, 2016
Solo dancer based in Paris
Photo Aurélien Mole
Cally Spooner
An exchangeable solo built from the knowledge of two non-exchangeable groups, 2016
Solo dancer based in Paris
Photo Aurélien Mole