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Majd Abdel Hamid, Muscle Memory, Composition 5 (map), 2022
Mac Adams, Mystery, The Whisper, 1976-1977
Dove Allouche, Evaporite_13, 2019
Robert Breer, Variations, 1970
Elina Brotherus, About Being My Model, 2017
After Francesca Woodman: About Being My Model, Providence, Rhode Island, 1976, silver gelatin print.
Omer Fast, CNN Concatenated, 2002
Mark Geffriaud, Tes mais 6, 2023
Tirdad Hashemi, The whole history is being rewritten with waves of Black blood, 2022
Paul Heintz, Shanzhai’s screens, 2019
Apostolos Georgiou, Untitled, 2019
Július Koller, Universal Futurological Question Mark (U.F.O.), 1978
Jiří Kovanda, Josef Čapek, 1990
Deimantas Narkevičius, Europa, 1997
Roman Ondak, The Day Before Now, 2017
Pak Sheung Chuen, Breathing in a House, 2006
Dominique Petitgand, Installation view, La question est posée, in the exhibition Anticorps, Palais de Tokyo, Paris, 2020
Pratchaya Phinthong, “…” Series, 2018
Pia Rönicke, Exhibition detail. Pia Rönicke, Without a Name, 2044, detail. Busan Biennale, We on the rising wave, 2022. ⒸSang-tae Kim. Courtesy of Busan Biennale Organizing Committee.
Yann Sérandour, The Ups and Downs of
the Cactus Mania #1954/1960
, 2014-2017
Hassan Sharif, Exhibition view, Hassan Sharif: I Am The Single Work Artist, Sharjah Art Foundation, Sharjah, 2017
Cally Spooner, DEAD TIME (Maggie’s Solo), 2021. Kunstverein Dusseldorf, Dusseldorf, November 2021