Live performance by Cally Spooner
Kölnischer Kunstverein, Cologne
November 19, 2021, 6 pm
Cally Spooner’s A Lecture on Stagnation read by Will Holder …for single mothers; followed by a conversation on Dead Time, between Cally Spooner and Hendrik Folkerts.
Since 2007 Will Holder has orally published work authored by those who do not share all or any aspects of his white, male, heterosexual speaking body. The presence of these discrepancies are intended to highlight what our bodies DO have in common, and collectively undergo, rather than only speak of that which normatively divides us. Central to this series of publications is Alice Notley’s Doctor Williams’ Heiresses, (1980) and the poet’s expressed desire to synthesise a female, speaking voice within male poetic meters. Will attempts something comparable, with respect to a sense of Notley’s poetry, while reading Cally Spooner’s “Lecture on Stagnation”.
Will’s reading is a way to lead into Cally Spooner’s ongoing project Dead Time. Over the coming three years, Dead Time will be periodically published with Will Holder, to test a thesis —- ‘dead time’ is an event that is chrononormatively-inactive and therefore holds the potential to restitute life. Dead Time (2018) is a 63 page performance score. It was composed by artist and writer Cally Spooner, in response to what she has coined to be ‘a global techno-temporal-performance culture’; a crime scene in which it is increasingly difficult to tell the difference between what is alive and what is dead. Since 2018 Spooner has been incrementally translating Dead Time into a number of works that can coexist under various conditions, and which will culminate in an Opera in the future. For now, at the Kölnischer Kunstverein, Spooner and curator Hendrik Folkerts discuss the present-tense condition of Dead Time, avoiding future-orientated speculation and chronological reminiscence. They will be accompanied by Melody Giron on cello. She will join the conversation from New York, to present Dead Time’s current work in progress.
Typographer Will Holder makes books, and publishes the work of others, orally and in print. He likes to draw attention to an ongoing, shared authorship of meaning, co-produced in the gaps between bodies, their speech and the printed page. Since 2007, Holder edits F.R.DAVID, a journal concerned with reading & writing and typography: the organisation and reproduction of language, published by uh books, Brussels.
Hendrik Folkerts has curated numerous solo and international group exhibitions as well as collection presentations, new commissions, and public programs, anchored in the expanded field of performance and building on feminist, queer, and anti-colonial histories of art. He is a curator of Moderna Museet Stockholm. He previously held positions as Dittmer Curator of Modern and Contemporary Art at the Art Institute of Chicago (2017–2021); as Curator at documenta 14, Kassel/Athens (2014–2017); as Curator of Performance, Film, and Discursive Programs at the Stedelijk Museum, Amsterdam (2010–2015); and as the Coordinator of the Curatorial Program at De Appel arts centre, Amsterdam (2009–2011). He frequently writes for art journals and magazines, as well as exhibition catalogues and artists’ monographs.
Rooted firmly in her training in philosophy, Cally Spooner’s practice is generated through writing, unfolds as performance, then lands as film, sound, sculpture, drawings or scores. Her performances incorporate duration and rehearsal as acts of resistance to techno, temporal and performative climates in which it is hard to tell the difference between what is alive and what is dead.
Dead Time is co-produced with reboot: responsiveness; O-Overgaden, Copenhagen; Le Centre Pompidou, Paris.
Deadtime is fully supported…
… Organisationally and practically, by Rhea Dall of O-Overgaden, Copenhagen.
Academically, by the Royal Danish Academy of Fine Arts; and the University of Copenhagen, Copenhagen.
Financially, by Novo Nordisk Foundation, Hellerup.
Kölnischer Kunstverein, Cologne and Kunstverein für die Rheinlande und Westfalen, Düsseldorf jointly announce the launch of reboot: – a collaborative, multi-cycle, anti-racist, and queer-feminist dialogue encompassing performance and research based practices.
The first cycle, reboot: responsiveness, departs from desires, anxieties and hopes amplified by the current pandemic. Hosted in two different yet aligned sites that mutually interact with one another as much as they support, complement and challenge each other, reboot: responsiveness provides infrastructures for provisional stagings, rehearsals, processual choreographies, and encounters around notions of presence, intimacy, care, and responsibility. reboot: responsivenessdevelops activities together with a core collective comprised of Alex Baczynski-Jenkins, Gürsoy Doğtaş, Klara Lidén, Ewa Majewska, Rory Pilgrim, Cally Spooner, and Mariana Valencia. Embracing diverse formats, and working together with further invited guests and audiences in Cologne and Düsseldorf, these artists and thinkers will explore ways to dedicate time to one another and to perform in time, to develop alternative vocabularies, archives, gestures, movements, and translations, to share and transmit resources and ideas, and to find modes of resistance and togetherness in response to the current situation we are living in.
Conceived by Eva Birkenstock, Nikola Dietrich, and Viktor Neumann
Core Collective: Alex Baczynski-Jenkins, Gürsoy Doğtaş, Klara Lidén, Ewa Majewska, Rory Pilgrim, Cally Spooner, and Mariana Valencia
Graphic design by Sean Yendrys
Group show with works by Robert Breer
Museum Brandhorst, Munich
June 2, 2022 - January 13, 2023
Art Fair - Solo booth with works by Cally Spooner
Art Basel Hong Kong, Hong Kong
May 25 - 29, 2022
6 pieces, permanent listening
(1 new piece each month)
Chambre d’écoute, Musée Réattu, Arles
May 20 - October 2, 2022
Activation of a performance by Jirí Kovanda
Frac des Pays de la Loire, Carquefou
May 15, 2022, 5 pm
Collective show with the works of Mark Geffriaud, Apostolos Georgiou, Tirdad Hashemi, Paul Heintz, David Horvitz, Július Koller, Jirí Kovanda, Roman Ondak, Pak Sheung Chuen, and Yann Sérandour
May 14 - July 16, 2022
Group show with works by Majd Abdel Hamid
May 14 - September 18, 2022
Nomination of works by Pia Rönicke
Rencontres Internationales Paris/Berlin – New cinema and contemporary art
May 8, 2022
Asynchronicity. A symposium-like gathering, hosted by Cally Spooner
Kölnischer Kunstverein, Cologne
Ludwig Forum, Aachen
May 7 - May 8, 2022
Group show with works by Omer Fast
Museum für Gegenwartskunst Siegen, Siegen
January 1 - May 29, 2022
Group show with works by Roman Ondak and Tirdad Hashemi from the collection
Musée d’Art Moderne de Paris, Paris
April 20 - August 28, 2022
Group show with works by Mark Geffriaud and Pratchaya Phinthong
April 8 - June 5, 2022
Group show with works by Cally Spooner
Centre d’art contemporain d’Ivry, le Crédac
April 9 - July 10, 2022
Group show including works by Pak Sheung Chuen
FRAC Alsace, Sélestat
March 25 - May 29, 2022
Group show with works by Omer Fast
Museum für neue Kunst, Freiburg
March 25 - October 9, 2022
Alexander Grey Associates, New York
March 17 - April 23, 2022
Group show with works by Hassan Sharif
Whitechapel Gallery, London
February 24 - June 5, 2022