Cally Spooner, SWEAT SHAME ETC., 2018

Pencil, coloured pencil and ink on technical paper, plastic
29 drawings, each under plastic sheet of 30 x 21.4 cm
with video documentation of live performance at the Art Institute of Chicago
Overall dimension varies with installation

Hastily sketched figures take care of their bodies while shedding clothes, socks, limbs and torsos. Though their heads are scratched out, they remain unexpectedly unperturbed and determined. Later, dancer Maggie Segale translated the drawings into dancing sequences performed in three different movements, A, B and C.

Cally Spooner, SWEAT SHAME ETC., 2018

Pencil, coloured pencil and ink on technical paper, plastic
29 drawings, each under plastic sheet of 30 x 21.4 cm
with video documentation of live performance at the Art Institute of Chicago
Overall dimension varies with installation

Hastily sketched figures take care of their bodies while shedding clothes, socks, limbs and torsos. Though their heads are scratched out, they remain unexpectedly unperturbed and determined. Later, dancer Maggie Segale translated the drawings into dancing sequences performed in three different movements, A, B and C.

Cally Spooner, SWEAT SHAME ETC., 2018

Pencil, coloured pencil and ink on technical paper, plastic
29 drawings, each under plastic sheet of 30 x 21.4 cm
with video documentation of live performance at the Art Institute of Chicago
Overall dimension varies with installation

Hastily sketched figures take care of their bodies while shedding clothes, socks, limbs and torsos. Though their heads are scratched out, they remain unexpectedly unperturbed and determined. Later, dancer Maggie Segale translated the drawings into dancing sequences performed in three different movements, A, B and C.

Cally Spooner, SWEAT SHAME ETC., 2018

Pencil, coloured pencil and ink on technical paper, plastic
29 drawings, each under plastic sheet of 30 x 21.4 cm
with video documentation of live performance at the Art Institute of Chicago
Overall dimension varies with installation

Hastily sketched figures take care of their bodies while shedding clothes, socks, limbs and torsos. Though their heads are scratched out, they remain unexpectedly unperturbed and determined. Later, dancer Maggie Segale translated the drawings into dancing sequences performed in three different movements, A, B and C.